WRITING + DRAMATURGY

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“Because parchment was expensive and hard to come by, ancient writers would partially efface writings deemed useless/irrelevant and cover them with new words, creating a palimpsest. Barnet refers to adaptation as a ‘palimpsestuous’ act because “the residue or trace of previous writing/staging is inescapable”. But my favorite way she describes a palimpsest is as a haunting. I believe The Wizard of Oz, in both its countless adaptations and its pop culture explosion, perpetually creates its own palimpsest."

THE EMERALD PALIMPSEST

SUBSTACK, ONGOING!

A dramaturgical twister of a slow read through L. Frank Baum's 1900 classic, The Wizard of Oz!

"In honor of Philip Seymour Hoffman’s ethos, relentlessness involves some measure of provocation. We’re looking for works that may leave you shaken, challenged, unsettled. Plays that don’t necessarily affirm our views, but upend them. Theater that doesn’t feel like a warm comforting bath, but like a cold plunge or walking on hot coals."

RELENTLESS AWARD READING SUBCOMMITTEE HANDBOOK

THE RELENTLESS AWARD

AMERICAN PLAYWRITING FOUNDATION, 2026

I spent the first two months of 2026 reading + reviewing 43 plays
as part of the first line of defense of subcommittee readers for
"the largest annual cash prize in American theater awarded to a playwright in recognition of a new play".